50年代-60年代初波兰电影学院派的经典作品之一,堪称与同时代意大利导演安东尼奥尼的《奇遇》相比,改编自Józef Hen在社会主义波兰时期被禁的小说 In 1960 his second film NIKT NIE WOLA / NOBODY'S CALLING, based on a Jozef Hen novel that was never published in Poland, described the fate of Poles on the Eastern Front. Kutz used the film to explore new formal solutions, collaborating closely with cinematographer Jerzy Wojcik to reveal the psychological landscape of a pair of lovers who are strongly affected by wartime events. The camera recorded the couple's inner experiences, contrasting their muted intimacy against the surrounding scenery of a ruined town. The film did not win over critics at the time of its release. It was not until later that critics recognized Kutz's effort to experiment with aesthetics in a manner akin to that pursued by filmmakers of the new wave. NOBO電影分海,陸,空,包羅萬象,隱喻重重,但即便最底色的人物設置,小妹的特殊智商,盧亭這個海中烏托邦的傳說,以及現實中只是不斷被利用而說出手是有用的,下面沒用,雖然四眼仔時讀書人,然而也僅僅只是想拯救她的病,而非想去體會和理解她的靈魂,而小妹一直以來與水,水中動物,哪怕是對水中幻想的自然親近,到最後還是會被禁錮的靈魂,一直航行,遙遙無期,也許跳下船將整個故事變為傳說的結果更好些罷DY'S CALLING came to be compared with Michelangelo Antonioni's THE ADVENTURE, which was produced around the same time.
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